Monday, January 30, 2012
En liten fråga...
Förra veckan var jag med och annonserade i GP's motorbilaga i samband med Mc-mässan. Någon som såg annonsen?! Kunde vara intressant att veta hur många "nya" därute som hittat hit till min sida tack vare annonsen...? Kan inte alla som såg annonsen bara kryssa i "Gillar't-rutan" här nedanför blogginlägget - så vet jag! :) Tack!
Sunday, January 29, 2012
A Spot of Hawaiian Ink on the New York City Subway
Earlier this week, I posted about my experience on Ink Master, getting a tribal tattoo that was inspired by my upbringing in Hawai'i. Do note that I have not referred to this as a Hawaiian tribal piece, which is a whole different thing altogether.
Just to illustrate, one of my "leftover" posts from 2011 is this tattoo:
This was a real treat for me, spotting an authentic Hawaiian tattoo, in New York City of all places.
Looking back to last June, I had just attended a networking event at Bowlmor Lanes in Times Square and was headed home to Brooklyn. On the 8th Avenue subway platform at 42nd Street, I spotted a bunch of folks with t-shirts bearing Hawaiian names. I got to chatting with them. Turns out they were affiliated with Na Keiki O Ka Mo'i, an outrigger canoe club from Wai'anae, Hawai'i, and they were in town to compete in the 2011 Liberty World Outrigger Competition.
I was shocked. Outrigger canoes in the East River? I've lived in New York for almost 15 years and never knew that this existed in the Big Apple!
There was a whole lot of local folks from Hawai'i on the platform, and when an express and local train pulled in simultaneously, chaos erupted as the visitors scattered into both downtown trains.
I sat down on an "A" train next to a handful of the group and struck up a conversation with a few people. I spoke with one guy, in particular, named Sam "Kamu" Kapoi. Go figure, the talk turned to tattoos and Sam stretched out his left leg to show me his ink.
Sam and I have kept in touch, so I was able to get some additional information on this piece.
Sam is a filmmaker and was accompanying the group as they competed in New York.
The art of Hawaiian tattoo has deep roots in the culture of the islands, and every aspect of a tattoo has personal meaning that is often held very privately by the tattooed individual. You just don't go up to someone with a Hawaiian tattoo and ask, "So what does it mean?"
The juxtaposition of this illustration compared to my own experience getting a tribal piece on a tattoo reality show is stark. Whereas I love my new tattoo, I in no way hold it in the same high regard as the traditional art of kakau in Hawai'i. I feel honored to have been lucky to come across an example, by chance, in New York.
A big mahalo nui loa to Sam for sharing his traditional Hawaiian ink with us here on Tattoosday.
Just to illustrate, one of my "leftover" posts from 2011 is this tattoo:
This was a real treat for me, spotting an authentic Hawaiian tattoo, in New York City of all places.
Looking back to last June, I had just attended a networking event at Bowlmor Lanes in Times Square and was headed home to Brooklyn. On the 8th Avenue subway platform at 42nd Street, I spotted a bunch of folks with t-shirts bearing Hawaiian names. I got to chatting with them. Turns out they were affiliated with Na Keiki O Ka Mo'i, an outrigger canoe club from Wai'anae, Hawai'i, and they were in town to compete in the 2011 Liberty World Outrigger Competition.
I was shocked. Outrigger canoes in the East River? I've lived in New York for almost 15 years and never knew that this existed in the Big Apple!
There was a whole lot of local folks from Hawai'i on the platform, and when an express and local train pulled in simultaneously, chaos erupted as the visitors scattered into both downtown trains.
I sat down on an "A" train next to a handful of the group and struck up a conversation with a few people. I spoke with one guy, in particular, named Sam "Kamu" Kapoi. Go figure, the talk turned to tattoos and Sam stretched out his left leg to show me his ink.
Sam and I have kept in touch, so I was able to get some additional information on this piece.
Sam is a filmmaker and was accompanying the group as they competed in New York.
The art of Hawaiian tattoo has deep roots in the culture of the islands, and every aspect of a tattoo has personal meaning that is often held very privately by the tattooed individual. You just don't go up to someone with a Hawaiian tattoo and ask, "So what does it mean?"
Sam said it himself in a message to me, "the tattoo itself ... is my family design, very sacred." He credited his artist as Keone Nunes, who specializes in traditional Hawaiian tattoos and uses the tapping method.
Here's a nice clip on YouTube with Mr. Nunes discussing the art of kakau:
The juxtaposition of this illustration compared to my own experience getting a tribal piece on a tattoo reality show is stark. Whereas I love my new tattoo, I in no way hold it in the same high regard as the traditional art of kakau in Hawai'i. I feel honored to have been lucky to come across an example, by chance, in New York.
A big mahalo nui loa to Sam for sharing his traditional Hawaiian ink with us here on Tattoosday.
This entry is ©2012 Tattoosday.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Saturday, January 28, 2012
Leopard print & cupcake sleeve in progress...
Påbörjade den här snygga armen häromdan. Massor med godsaker och när det är klart blir det massor (massor!) med färg - me like! :)
Thursday, January 26, 2012
Black n grey swallow...
Svala i black n grey som jag gjorde igår.
Blir det inget bloggande imorrn så passar jag på att önska trevlig helg nu! Ska på mc-mässan imorrn förmiddag, så jag öppnar lite senare. En kund och sen helg! :) Ha're fint!
Wednesday, January 25, 2012
Tattoosday Goes Tribal on Ink Master
What’s the hardest thing about being an ink-blogger and getting a tattoo on a televised competition show? Keeping my mouth shut for almost six months about the experience.
This is the tattoo that I received back in August in the course of my stint as a "human canvas" on the set of Spike TV's Ink Master.
What you didn't see on the show (if you watched last night) was the consulting session in which I sat down with the artist and hashed out the ideas and concepts that I wanted represented in this tribal piece that ultimately ended up on my left thigh.
The two main elements are the honu, or Hawaiian sea turtle, and the hibiscus, which is the state flower of Hawai'i. Having grown up in the Aloha State, I wanted something that represented my childhood home.
The end result far exceeded my expectations. I want to again thank Heather Sinn, my artist, for giving me an exceptional tattoo under less than ideal conditions.
I also want to share a little bit more about how I lucked into being tattooed by such a wonderfully talented artist.
The episode that aired last night was dubbed “Botched Head Tattoo” by the network. Fortunately, mine was not the botched head tattoo, although I have stayed in touch with the human canvas who chose to have his scalp inked and can say, with 100% confidence, the only thing botched about it was that it wasn’t completed in the five-hour time limit. The artist, Bili Vëgas, ultimately finished the piece at his shop in New York, and Ryan, who shared one of his other tattoos with us here on Tattoosday back in August, is very happy with the end result.
Back in July, I wrote here about Ink Master’s call for candidates looking for a cover-up. Shortly after posting the piece, I sent in my own idea for a tattoo for the show, thinking it was a long shot.
Within the hour, I got a response asking if I could come in and discuss the idea in person. Fortunately, I was off that day, and I went into Manhattan and met with production staff, discussing what I wanted in terms of a memorial piece for my step-father, who passed away in April 2010. This discussion also included a mention of my almost having been tattooed with a Hawaiian tribal memorial band.
Things moved quickly from there and after a series of phone calls, my original idea was scrapped and I was confirmed to be a human canvas on an episode dedicated to tribal tattoos. I am not generally a fan of tribal ink, but I thought that if I could get something with a Hawaiian influence, I would be cool with that. Having grown up in Honolulu, and with family still in the islands, it made sense to get something along those lines. I was concerned, however, whether whoever was tattooing me would approach the challenge with an understanding and respect for the culture of Hawai’i.
On the designated day, I met at the rendez-vous point with three other human canvases near Times Square to be transported to the set by shuttle. The studio was set up at an old church building in Newark. We were shown to a holding room with five other canvases and, as is typical in television production, we waited.
We didn’t know who the judges were until moments before being led to the set, which was quite impressive, as is evident on the show. I was initially happy to pick the skull with artist Heather Sinn’s name on it and, after our consult, during which I threw idea after idea at her about what would be ideal in the tattoo, I was excited to see what she would come up with overnight.
On the shuttle from Manhattan to the set the next day, we all chatted about our artists and talked about how we thought it would go. Ryan, who was about to have his head inked, was chowing down on a big bowl of red jell-o, a trick some tattoo artists recommend to minimize bleeding (the gelatin aids with blood coagulation). We were also still abuzz about the one canvas who was dismissed because of his psoriasis. The guy had been a veritable comedian in the holding room, and his absence was surprising.
After getting miked up and led to the set, we met with the artists in their work rooms and saw our designs for the first time. I was blown away by what Heather came up with, especially having looked at her online portfolio the night before, and noticed that she wasn’t an artist that did a lot of tribal work.
There was one glaring concern that I did have, however. Heather was not a happy camper. This was episode 2, so they had just started production, and one show was already in the tank. Mind you, they don’t wait a week between episodes, they are often shot in succession, and the hours are long and grueling, even to artists who spend hours on delicately maneuvering a vibrating machine doing meticulous work on a canvas that moves.
Heather did not hide this sentiment from me, the client, and I was concerned, especially since the challenge was rigorously timed, and had dropped from 6 hours to 5 hours after the initial cover-up challenge of episode 1.
She assured me that she was going to do her best under the not-so-ideal circumstances. I would direct readers to this interview that recently ran with Heather in the LA Weekly. She wears her emotions on her sleeve and does not back down from her feelings.
Heather told me she would not be very talkative when she was doing the initial line work as she was not accustomed to this type of tattoo. Fine by me. The cameras were around us constantly and Heather was very concerned that she would not have the time to finish the piece. She also expressed to me that she was not very fond of any of the judges. After seeing the flash challenge that preceded our meeting, I can see why.
When all was said and done, however, she powered through it and knocked it out with time to spare. The result left me with an awesome tattoo, and I have nothing but praise for her craftsmanship.
As for the show itself, so much footage went unused, including scenes in which the human canvases saw their tattoos for the first time in a full-length mirror, met with the judges, and did candid interviews with the producers.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
What you didn't see on the show (if you watched last night) was the consulting session in which I sat down with the artist and hashed out the ideas and concepts that I wanted represented in this tribal piece that ultimately ended up on my left thigh.
The two main elements are the honu, or Hawaiian sea turtle, and the hibiscus, which is the state flower of Hawai'i. Having grown up in the Aloha State, I wanted something that represented my childhood home.
The end result far exceeded my expectations. I want to again thank Heather Sinn, my artist, for giving me an exceptional tattoo under less than ideal conditions.
I also want to share a little bit more about how I lucked into being tattooed by such a wonderfully talented artist.
The episode that aired last night was dubbed “Botched Head Tattoo” by the network. Fortunately, mine was not the botched head tattoo, although I have stayed in touch with the human canvas who chose to have his scalp inked and can say, with 100% confidence, the only thing botched about it was that it wasn’t completed in the five-hour time limit. The artist, Bili Vëgas, ultimately finished the piece at his shop in New York, and Ryan, who shared one of his other tattoos with us here on Tattoosday back in August, is very happy with the end result.
 |
| Photo Courtesy of Bili Vëgas @ www.bilivegas.com |
Within the hour, I got a response asking if I could come in and discuss the idea in person. Fortunately, I was off that day, and I went into Manhattan and met with production staff, discussing what I wanted in terms of a memorial piece for my step-father, who passed away in April 2010. This discussion also included a mention of my almost having been tattooed with a Hawaiian tribal memorial band.
Things moved quickly from there and after a series of phone calls, my original idea was scrapped and I was confirmed to be a human canvas on an episode dedicated to tribal tattoos. I am not generally a fan of tribal ink, but I thought that if I could get something with a Hawaiian influence, I would be cool with that. Having grown up in Honolulu, and with family still in the islands, it made sense to get something along those lines. I was concerned, however, whether whoever was tattooing me would approach the challenge with an understanding and respect for the culture of Hawai’i.
On the designated day, I met at the rendez-vous point with three other human canvases near Times Square to be transported to the set by shuttle. The studio was set up at an old church building in Newark. We were shown to a holding room with five other canvases and, as is typical in television production, we waited.
We didn’t know who the judges were until moments before being led to the set, which was quite impressive, as is evident on the show. I was initially happy to pick the skull with artist Heather Sinn’s name on it and, after our consult, during which I threw idea after idea at her about what would be ideal in the tattoo, I was excited to see what she would come up with overnight.
On the shuttle from Manhattan to the set the next day, we all chatted about our artists and talked about how we thought it would go. Ryan, who was about to have his head inked, was chowing down on a big bowl of red jell-o, a trick some tattoo artists recommend to minimize bleeding (the gelatin aids with blood coagulation). We were also still abuzz about the one canvas who was dismissed because of his psoriasis. The guy had been a veritable comedian in the holding room, and his absence was surprising.
After getting miked up and led to the set, we met with the artists in their work rooms and saw our designs for the first time. I was blown away by what Heather came up with, especially having looked at her online portfolio the night before, and noticed that she wasn’t an artist that did a lot of tribal work.
There was one glaring concern that I did have, however. Heather was not a happy camper. This was episode 2, so they had just started production, and one show was already in the tank. Mind you, they don’t wait a week between episodes, they are often shot in succession, and the hours are long and grueling, even to artists who spend hours on delicately maneuvering a vibrating machine doing meticulous work on a canvas that moves.
Heather did not hide this sentiment from me, the client, and I was concerned, especially since the challenge was rigorously timed, and had dropped from 6 hours to 5 hours after the initial cover-up challenge of episode 1.
She assured me that she was going to do her best under the not-so-ideal circumstances. I would direct readers to this interview that recently ran with Heather in the LA Weekly. She wears her emotions on her sleeve and does not back down from her feelings.
Heather told me she would not be very talkative when she was doing the initial line work as she was not accustomed to this type of tattoo. Fine by me. The cameras were around us constantly and Heather was very concerned that she would not have the time to finish the piece. She also expressed to me that she was not very fond of any of the judges. After seeing the flash challenge that preceded our meeting, I can see why.
When all was said and done, however, she powered through it and knocked it out with time to spare. The result left me with an awesome tattoo, and I have nothing but praise for her craftsmanship.
As for the show itself, so much footage went unused, including scenes in which the human canvases saw their tattoos for the first time in a full-length mirror, met with the judges, and did candid interviews with the producers.
I can say that, despite all the tattoo flaws picked out by the judges in the show, none of the canvases on my episode were disappointed with the final result of their sessions with the Ink Master artists. And, as much as I would like to bemoan the massive amount of "canvas" footage on the cutting room floor, ultimately the artists were being judged on the quality of their work, not on the stories behind their clients' tattoos, or their feelings about the final product.
I think that this is one of the compelling aspects about Ink Master that makes the show so interesting from a technical standpoint. Sure, there's the reality show drama involving the artists' personalities, but the show seems committed, more than most of the other "reality" shows out there, to celebrating the tattoos for art's sake.
I'm not on any more episodes, but I'll keep watching.
This entry is ©2012 Tattoosday.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Sunday, January 22, 2012
Wesley Shares Two Significant Blossoms
I met Wesley in Bay Ridge, Brooklyn, earlier this month, and she shared these two tattoos from her forearms:
These two flowers are (pictured from left to right) a Cherokee Rose, which is the state flower of Georgia, and a Nile, or Egyptian Lotus.
Wesley explained that the Cherokee Rose is generally white in color, but white flowers don't generally translate well to white skin. Fortunately, they can occasionally grow pink, so that's the shade she chose for the tattoo.
Wesley explained the whole process of these tattoos in detail:
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
These two flowers are (pictured from left to right) a Cherokee Rose, which is the state flower of Georgia, and a Nile, or Egyptian Lotus.
Wesley explained that the Cherokee Rose is generally white in color, but white flowers don't generally translate well to white skin. Fortunately, they can occasionally grow pink, so that's the shade she chose for the tattoo.
Wesley explained the whole process of these tattoos in detail:
"I was born in Macon, Georgia and my dad's from Georgia and the whole myth is that when the Cherokees were driven out ... by the white people, they cried ... The Trail of Tears ...and the flowers that sprang up where their tears [fell] were the Cherokee Rose. And [the flower on the left arm] is a Nile Lotus ... an Egyptian lotus, you see it a a lot on the sarcophagi ... Egyptian tombs, and it's about death and rebirth.... I got them ... in 2005 ...in Seattle by a guy ... Ian at Lucky Devil Tattoo in Capitol Hill, Seattle ... it was a year almost since I had been diagnosed and treated for cancer and it was sort of my celebration of 'I'm okay' and I had some whole elaborate - I was going to have insects on the inside of my wrist and flowers on the outside, and there was a possibility of a snake, there was a whole big thing and ... the great thing about this artist was that he was like, 'here, let me do a temporary version of what that would look like,' and I was like, 'that would look really cluttered and ridiculous' ... and I realized that I really wanted them to be something I could see and I was more attuned to the flowers ... I wanted something that was close to home from my past and then something that was from another culture from farther away - there's the birth thing and the death thing. Yeah."Thanks to Wesley for sharing her beautiful tattoos with us here on Tattoosday!
This entry is ©2012 Tattoosday.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Friday, January 20, 2012
Wermland sleeve in progress...
Hannas hyllning till Värmland (blandat med Totoro och tysk trägårdstomte etc). Häromdan fick vi färglagt lite samt lagt till landskapsblomman Skogsstjärna! Fortsättning följer...
Som en bonus bjuder vi på en annan typ av Värmlandstatuering:
(Bild hittad på google)
Will Is Well-Armed for the Opera
Occasionally, one of my posts will fall through the cracks and I only discover it by chance.
For example, earlier this week I was passing through K-Mart in Penn Station when it struck me: the guy I had met several months earlier in there never ended up on the site! How did that happen? I'm still scratching my head over that one, because how could I forget this tattoo?
Will explained to me that he has the signatures of twenty-seven female opera singers that have, in some way, touched his life. The photo above is only a fragment of the whole array, which covers his left arm and runs down the side of his chest.
"I'm a big opera fan ...[it's] just a form of music and expression that has always meant a lot to me," Will told me. He explained how he had waited for two hours for a singer to emerge from a venue after a performance, but she never came out. That missed autograph opportunity gave him the idea to recreate the signatures of an array of great singers on his flesh.
Among the names visible in the photo above are Maria Callas and Grace Bumbry.
The signatures were inked by Dave Wallin at Eight of Swords Tattoo in Brooklyn.
Thanks to Will for sharing his operatic arm with us here on Tattoosday!
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
For example, earlier this week I was passing through K-Mart in Penn Station when it struck me: the guy I had met several months earlier in there never ended up on the site! How did that happen? I'm still scratching my head over that one, because how could I forget this tattoo?
"I'm a big opera fan ...[it's] just a form of music and expression that has always meant a lot to me," Will told me. He explained how he had waited for two hours for a singer to emerge from a venue after a performance, but she never came out. That missed autograph opportunity gave him the idea to recreate the signatures of an array of great singers on his flesh.
Among the names visible in the photo above are Maria Callas and Grace Bumbry.
The signatures were inked by Dave Wallin at Eight of Swords Tattoo in Brooklyn.
Thanks to Will for sharing his operatic arm with us here on Tattoosday!
This entry is ©2012 Tattoosday.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Thursday, January 19, 2012
Creative And Funny Toilet Signs
Male and females are represented differently all across the world. One of the proofs for this statement is the diverse representations of toilet signs in different corners of the globe. While some tried to make the signs as obvious as they can get, others went out of their way to be creative.
Here are some of the wackiest, funniest or oddest men and women toilet signs.
Here are some of the wackiest, funniest or oddest men and women toilet signs.
Wednesday, January 18, 2012
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Chinese Dragon Tattoo
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Tattoos Designs for Men
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
Wiz Khalifa Tattoos
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